Moments of Movie Wisdom: Being ‘Tough’ in ‘The Devil is a Sissy’ (1936)

Moments of Movie Wisdom: Being ‘Tough’ in ‘The Devil is a Sissy’ (1936)
Lobby card for “The Devil is a Sissy” (1936). (MovieStillsDB)
Tiffany Brannan
4/24/2024
Updated:
4/24/2024
0:00
Commentary

For years, men and boys have struggled with what it means to be “tough.” Do you prove it by getting in a fistfight if someone looks at you wrong, by driving big cars or motorcycles, by playing sports, or by going out drinking with the boys? Nowadays, traditional masculine traits are labeled “bro mentality” or “toxic masculinity.” Should a fellow just give up all his rights and let others boss him around then? It’s a difficult balance to find, but many classic films teach valuable lessons about how to be strong and masculine while still being a kind, honorable man.

Today’s moment of movie wisdom comes from “The Devil is a Sissy” (1936). The scene takes place 42 minutes into the 92-minute film. Three adolescent boys (Jackie Cooper, Mickey Rooney, and Freddie Bartholomew) are arrested on suspicion of burglary. When it is disclosed at their trial that they were actually robbing one of the boys’ houses, a fact unknown by his compatriots, kindly Judge Holmes (Jonathan Hale) puts them on probation and gives them a fatherly lecture on what it really means to be tough.

The Story

Young gentleman Claude Pierce (Bartholomew), the child of a divorced couple, has come to spend six months with his poor architect father (Ian Hunter) in an unsavory part of New York, much to the chagrin of his wealthy society mother (Katharine Alexander). On his first day at the local public school, he meets tough guy pals Buck (Cooper) and Gig (Mickey Rooney). Gig’s father is in the penitentiary, awaiting death by electric chair that very night. Despite Claude’s attempts to be friendly, the two boys shun him. However, through his persistence and his professional-grade football skills, he manages to join their gang.

Gig determines to earn $80, through fair means or foul, to buy a tombstone for his father. To prevent his friends’ stealing and selling tires, Claude convinces them to break into a large mansion and steal some toys from it, not disclosing that their target is his mother’s house. The robbery goes as planned, and they purchase the tombstone but are soon brought into court on suspicion of the robbery. To avoid being sent to reform school, Claude confesses that the house was his mother’s, but the judge puts Buck and Gig on probation, since they believed they were truly committing a crime. When the boys plan to run away rather than report to the probation officer, Claude does everything in his power to stop them.

Poster for the 1936 film "The Devil is a Sissy." (Public Domain)
Poster for the 1936 film "The Devil is a Sissy." (Public Domain)

The Scene

Following the trial for robbing Claude’s house, the judge asks the parents to leave so he may speak with the three boys alone. He asks them, “You fellows play football, don’t you?” Buck answers, “Yeah.” “Sure,” adds Gig. “If you don’t like the quarterback’s signals, do you walk out on him?” the judge continues. When the question is met with silence, he says, “The point is, fellas, there are times when parents don’t seem to understand, just can’t understand at all. Now, that’s the time I want you fellas to show me how tough you are.”
“How?” Buck queries. “By pulling the switch on them and doing exactly as they say; that’s how,” answers the judge. “Now, that’s what makes a fella tough: being able to take it. Why, you wouldn’t want anybody to call you ‘little devil,’ would you? That’s what they say about bad little sissies who act naughty when they can’t have their way. By the way, the devil is a weak sister; you know that, don’t you?” “The devil?” Buck asks. “Sure, because he was an angel once!” “An angel?” Gig repeats. “Yeah,” says the judge. “And an angel has to be tough in order to do his job; and the devil couldn’t be tough enough, so they threw him out, and he’s been hiding down below ever since. You know, I think the devil is a sissy!”

Its Significance

This scene should be a turning point for Buck and Gig, as they have narrowly avoided being sent to reform school. However, the boys are very stubborn and just laugh off the judge’s words at first. Angered by Claude’s deception, they ostracize him again. Rather than gleaning the wisdom someone has tried to bestow on them, they choose to continue being “little devils” by skipping out on their probation.

Both boys have learned to be “tough” in terms of street-sense, which to them means fighting, never giving anyone an even break, and, above all, not squealing. In their rather primitive code of ethics, squealing is the worst thing you can do, even if you’re squealing on yourself to get out of trouble. Earlier, they both are punished by their school’s principal (Etienne Girardot), not for breaking a window with a football but for stubbornly refusing to admit that they did it. Gig worships his father as a hero, despite his being a convicted criminal. He is further hardened by the fact that he was caught because another man squealed on him.

Later in the film, Claude chases after his two friends as they’re running away, despite needing to be in bed because of a bad cold. With his ingenuity and his useful knowledge of French, Claude gets them out of a bad jam involving three fleeing gangsters. When he falls desperately ill, nearly dying from pneumonia in the hospital, the two older boys finally realize the error of their ways and let down their guard. The film ends with three happy, carefree boys who plan to never get into trouble again.

Tough Enough to Take It

Judge Holmes teaches the boys, and everyone who watches this film, a valuable lesson. Stubbornness and toughness, if they cause your own injury or the injury of others, are not characteristics to be admired. In fact, refusing to own up to something you’ve done is a sign of weakness. It takes bravery and strength of character to stand up and admit guilt, as George Washington so famously did in the anecdotal incident with the cherry tree.

The judge strikes an even deeper chord by bringing up the religious concept that “the devil is a sissy.” It’s a stirring point, and not one of which you would often think. With the power of righteousness and the strength to stand against the world, we can defeat the devil and prove how weak he really is.

Tiffany Brannan is a 22-year-old opera singer, Hollywood historian, vintage fashion enthusiast, and conspiracy film critic, advocating purity, beauty, and tradition on Instagram as @pure_cinema_diva. Her classic film journey started in 2016 when she and her sister started the Pure Entertainment Preservation Society to reform the arts by reinstating the Motion Picture Production Code. She launched Cinballera Entertainment last summer to produce original performances which combine opera, ballet, and old films in historic SoCal venues.
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